Flubbed lines, impressionists and Tom Jones - Football Focus memories
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We Had a World review – a playwright torn between his warring mother and grandmother
Hampstead theatre, LondonJoshua Harmon studies his family’s fraught matriarchal relations in this thoughtful dramaIn an empathetic act of theatrical archivism, American playwright Joshua Harmon (Bad Jews) follows the shifting, sinking relationship between his mother and grandmother. Tracing the family’s fractures back through Harmon’s life, We Had a World is a thoughtful if sedate staging of duty, care and the relational ties that can’t be shaken loose. Renee (Suzanne Bertish) is a far...
'The Social Reckoning' trailer drops with Jeremy Strong as Zuckerberg in Aaron Sorkin's Facebook sequel
The first preview has arrived for the highly anticipated sequel to "The Social Network. info:"The Social Network" is easily one of the best films released over the past 20 years. If I remember correctly, I saw it twice in theaters while living in Montana when it came out in 2010.'SOCIAL NETWORK' STAR BRISTLES AT BEING ASSOCIATED WITH 'PROBLEMATIC' MARK ZUCKERBERGThe Aaron Sorkin film chronicles the rise of Facebook and its founders, specifically Mark Zuckerberg (Jesse Eisenberg) and Eduardo...
Kristin Scott Thomas tells of horror double tragedy that inspired 'tough' new role
Kristin Scott Thomas tells of horror double tragedy that inspired 'tough' new role Dame Kristin Scott Thomas tells of the grief which marred her childhood, and how she's channelled such unimaginable heartbreak into her directorial debut in My Mother's Wedding Dame Kristin Scott Thomas was five years old when her father was killed in a plane crash. Six years later, her stepfather died the same way. Now, more than half a century on, she has drawn on that double tragedy for her debut as a film...
Spielberg’s Disclosure Day is a close encounter of the hopeful kind
Steven Spielberg returns to sci-fi and alien wonder in his thrilling Disclosure Day Thu 11 Jun 2026 at 4:30am Nearly 50 years ago, Steven Spielberg's Close Encounters of the Third Kind took the trope of hostile space invaders and, vibing with new-age '70s spiritualism, transformed it into a vision of benign cosmic travellers arriving in disco-baubles of sound and light. In 1982's E.T. the Extra-Terrestrial — still one of the highest grossing movie of all-time, accounting for inflation — the...