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How Liminalism Became the Defining Aesthetic of Our Time
How Liminalism Became the Defining Aesthetic of Our Time This crowd-curated digital movement is one of the most pertinent and explicit reactions to our particular slice of dystopian late capitalism. Had Century III Mall in West Mifflin, Pennsylvania not closed seven years ago, the shopping center — the third-largest in the world when it opened, with 200 tenants — would be approaching its 50th anniversary. Anchored by defunct local department store chains, including Joseph Horne Company,...
Euronews Culture's Film of the Week: 'Backrooms' - Liminal space horror you'll want to get lost in
Released last week in the US and UK, this year’s breakout horror hit finally heads to European cinemas. It was worth the wait. Ever stood in an empty corridor which seems to stretch on forever, or found yourself in a deserted room that feels "off"?
‘I found a place’: how Backrooms captures the horror of sinister architecture
The new thriller film, *Backrooms*, explores the horror of sinister architecture by transporting its characters into liminal spaces. When architect Clark discovers a portal to a mysterious realm in his showroom basement, he struggles to process the experience with his therapist. The film uses this unknowable journey to turn a building into a central horror element.
‘I found a place’: how Backrooms captures the horror of sinister architecture
Buzzy new thriller Backrooms takes us on an unknowable journey through liminal spaces, the latest film to turn a building into a horror villainWhen architect turned furniture store owner Clark (Chiwetel Ejiofor) finds a portal to a mysterious realm of “backrooms” in the basement of his showroom, he struggles to explain it to his therapist, Dr Mary Kline (Renate Reinsve).“I found a place …” Continue reading...
Is anyone here interested in contributing to this OS?
A clean-slate x86_64 microkernel operating system built from scratch. No POSIX baggage, no legacy Unix assumptions. The kernel stays minimal: scheduling, memory management, IPC ports, and hardware abstraction.
Backrooms is a reminder that the internet is the future of cinema
Backrooms is a reminder that the internet is the future of cinema Kane Parsons joins plenty of other YouTubers who’ve made their way to the big screen. The story behind the Backrooms is almost as trippy as the film itself. Kane Parsons taught himself how to use Adobe After Effects and Blender as a teenager, experimented with online short films, and rose to online fame with his first Backrooms short in 2022 (which now has nearly 80 million views).
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
‘Backrooms’ Takes You Deeper Inside the Internet’s Most Uncanny Horror Myth
The 20-year-old filmmaker Kane Parsons has risen to the top so fast that he’s had zero time to process how far he’s come. “It's been go, go, go,” Parsons tells WIRED. “Even the tiniest bit of a break,” he says, would give him some better perspective on everything that’s happened over the past few years.
Backrooms, based on a YouTube horror series, breaks box office records
Backrooms, based on YouTube horror series, breaks box office records The movie’s massive opening weekend haul is the largest ever for an original horror film. A24’s Backrooms, the big-screen adaptation of a viral YouTube horror series, smashed several box office records with an US$81.5 million (S$104.13 million) North American debut, United States media reported Sunday. Directed by 20-year-old Kane Parsons, who created the Backrooms web series as a teenager, the movie’s massive opening...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...