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Meet Hollywood’s new masters of horror: YouTubers
First came “Iron Lung,” a video game adaptation self-financed and distributed by YouTuber Markiplier that stunned the box office with a massive haul. Three months later, “Obsession,” a low-budget project from 26-year-old YouTuber Curry Barker, pulled off the rare feat of growing its box office take by 39% in its second weekend in theaters. This weekend, A24’s “Backrooms” — from 20-year-old YouTuber Kane Parsons — grossed a record-breaking $81.4 million in North America and $118 million...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
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A Viral YouTube Show About an Unhinged AI Is Hitting Theaters. It’s a Big Test for Hollywood
The fandom of The Amazing Digital Circus has had a rough few weeks on the internet. Ever since Glitch Productions, the independent animation studio behind the web series, announced in early April that the finale would be released in theaters rather than on YouTube, fans have been simultaneously speculating about how the show might end and avoiding anyone claiming to have details about the final episode, whether they’re real or not. “We’re looking for new mods to help us with spoilers,” reads...
Backrooms is a reminder that the internet is the future of cinema
Backrooms is a reminder that the internet is the future of cinema Kane Parsons joins plenty of other YouTubers who’ve made their way to the big screen. The story behind the Backrooms is almost as trippy as the film itself. Kane Parsons taught himself how to use Adobe After Effects and Blender as a teenager, experimented with online short films, and rose to online fame with his first Backrooms short in 2022 (which now has nearly 80 million views).
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...