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To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
To YouTube and beyond: how online gen Z directors stormed Hollywood
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences wantAt this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly...
Grading the first month for all 15 WNBA teams
It's evaluation time. Which WNBA teams have the best report card almost four weeks into the 2026 season? We've graded all 15 teams based on how they've performed over the first month while also considering the varying expectations each faced early.
WNBA awards tracker: Can anyone unseat A'ja Wilson...
Reigning WNBA MVP A'ja Wilson would be happy to make the race for this year's award into no race at all. The Las Vegas Aces center is off to a great start, currently leading the league in scoring, blocks, player efficiency rating and win shares. Last season, Wilson turned a very good season into a spectacular one over the last six weeks during a 16-game winning streak.
Backrooms is a reminder that the internet is the future of cinema
Backrooms is a reminder that the internet is the future of cinema Kane Parsons joins plenty of other YouTubers who’ve made their way to the big screen. The story behind the Backrooms is almost as trippy as the film itself. Kane Parsons taught himself how to use Adobe After Effects and Blender as a teenager, experimented with online short films, and rose to online fame with his first Backrooms short in 2022 (which now has nearly 80 million views).
Meet Hollywood’s new masters of horror: YouTubers
First came “Iron Lung,” a video game adaptation self-financed and distributed by YouTuber Markiplier that stunned the box office with a massive haul. Three months later, “Obsession,” a low-budget project from 26-year-old YouTuber Curry Barker, pulled off the rare feat of growing its box office take by 39% in its second weekend in theaters. This weekend, A24’s “Backrooms” — from 20-year-old YouTuber Kane Parsons — grossed a record-breaking $81.4 million in North America and $118 million...