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FWP - BANK OF NOVA SCOTIA (0000009631) (Subject)
Filed: 2026-06-04 AccNo: 0001839882-26-027852 Size: 97 KB
‘I was held by Hamas for 505 days thinking my girlfriend was dead’: Israeli hostage recalls his ordeal
‘I was held by Hamas for 505 days thinking my girlfriend was dead’: Israeli hostage recalls his ordeal Eliya Cohen was one of 43 people taken from the Nova festival when Hamas launched its attack on 7 October 2023. As he recalls his experience at the opening of a new exhibition in London about that harrowing day, James C. Reynolds reports - Bookmark - CommentsGo to comments A former Israeli hostage has described how he pleaded with his captors to shoot him after being taken into Gaza, before...
'Dumbass' criminal breaks the 'first rule of ransomware club'
Even ransomware cartels make mistakes, and in this case, it was a biggie that could have landed the responsible crim in a Russian gulag: accidentally infecting a company located in a Commonwealth of Independent States country. In what threat-hunter Dominic Alvieri deemed the ransom “dumbass of the day,” Nova, the affiliate program for ransomware crew RAlord, on Tuesday issued an apology to Eriell Group, a major oilfield services company with headquarters in Uzbekistan and a corporate office...
Rozicki: Billam-Smith gets hit. And you can't get hit against me
Ryan Rozicki: Boxing saved me. I didn’t understand how hard I punched until it was almost too late Ryan Rozicki grew up working as a woodcutter in Nova Scotia; He discovered fearful punch-power in street brawls but changed his life through boxing and the inspiration of Jack Dempsey; Watch Billam-Smith vs Rozicki this Saturday live on Sky Sports Friday 22 May 2026 12:32, UK Ryan Rozicki is coming to hurt Chris Billam-Smith. It's simply his craft.
How Far Can Chord-Symbol Time-Series Adaptation Carry Genre Identity? Capabilities and Boundaries in Multi-Genre Chord-Symbol Modeling
Announce Type: new Abstract: Harmony is a compact symbolic layer where mathematical pitch relations, acoustic consonance, and musical convention meet. This report treats chord-symbol sequences not as a complete representation of music, but as an interpretable, controllable time series for genre-local harmonic modeling. Starting from a frozen pop-jazz Music Transformer checkpoint, I evaluate how far small adaptation interfaces can extend the model to eleven target genres: blues, bossa nova,...