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‘A kind of reconnecting with the past’: the Met celebrates the art of the portrait

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In a new exhibition, work from artists including Pablo Picasso and Wifredo Lam offer different ways to see what a portrait can representWhat exactly is a portrait? At its simplest, it might be an attempt to depict oneself or someone else via a painting. But then consider German expressionist Max Beckmann’s masterpiece The Beginning, a triptych of scenes from his childhood, or Cuban artist Wifredo Lam’s Ídolo, a melange of forms based around the goddess Oyá.

In a new exhibition, work from artists including Pablo Picasso and Wifredo Lam offer different ways to see what a portrait can represent

What exactly is a portrait? At its simplest, it might be an attempt to depict oneself or someone else via a painting. But then consider German expressionist Max Beckmann’s masterpiece The Beginning, a triptych of scenes from his childhood, or Cuban artist Wifredo Lam’s Ídolo, a melange of forms based around the goddess Oyá. Rooted more in memory and myth than a mere physical likeness, these pieces stretch just what we might decide counts as a portrait.

Works such as the Beckmann and the Lam – as well as cubist abstractions, an ornate hand mirror, and one of Joan Miró’s pieces of “painting-poetry”, — are all portraits as defined by The Met’s new show The Face of Modern Life, which gathers close to 80 works from the museum’s permanent collection. A boisterous and effusive selection of work from one of the nation’s most storied museums, this show gives audiences a peek into the museum’s estimable archives and a chance to wonder just what defines this seemingly simple but truly elusive form.

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Pablo Picasso (PERSON) Wifredo Lam (PERSON) German (ORG) Max Beckmann (PERSON) Cuban (ORG) Wifredo Lam’s (PERSON) Ídolo (PERSON) Oyá (ORG) Beckmann (PERSON) Joan Miró’s (PERSON)
Originally published by The Guardian UK Read original →