‘It’s about the power of music and art’: Glyndebourne stages its first ever L’Orfeo

We go behind the scenes at rehearsals for William Kentridge’s new staging of Monteverdi’s 1607 opera l’Orfeo

‘L’Orfeo is an opera about opera. It’s an opera about the power of music. It’s about the power of art to construct the world,” says director and artist William Kentridge. Claudio Monteverdi’s 1607 work is, if not quite the first ever opera, the earliest opera still performed today, written when the form was in its very infancy.

Monteverdi called his work – composed for performance at the ducal court of Mantua, a “favola in musica – legend in music”. “Monteverdi was a genius,” says conductor Jonathan Cohen. “The piece is about the world’s most famous musician. He begins with a prologue where he has the allegorical character of La Musica [Music, here sung by Francesca Aspromonte, who also sings Eurydice in this production], who says ‘I am music, and I have the power to stop the birds singing, the power over nature.’ And of course Orfeo, the musician, has the power to control even the rocks, the trees, the animals and effect human emotions.”

William Kentridge (centre) during rehearsals, above, and, below, Kentridge talks with Francesca Aspromonte (La Musica/Euridice) and Roseline Wilkens (Euridice).