Home Entertainment Camdenwalla review – one long night of fear and defiance...
Entertainment

Camdenwalla review – one long night of fear and defiance in 90s London

Key Points

Camden People’s theatre, London Jonny Khan’s debut play, about an uncle and niece manning phones at a rescue service during racist attacks, is well acted yet lacks tensionThis theatre’s address was once the headquarters of the Camden Monitoring Project, a volunteer-run organisation established to provide safe transport home for South Asian restaurant workers at a time of rampant racist attacks. Built on four years of research with the local Bengali community, actor Jonny Khan’s debut play...

Camden People’s theatre, London
Jonny Khan’s debut play, about an uncle and niece manning phones at a rescue service during racist attacks, is well acted yet lacks tension

This theatre’s address was once the headquarters of the Camden Monitoring Project, a volunteer-run organisation established to provide safe transport home for South Asian restaurant workers at a time of rampant racist attacks. Built on four years of research with the local Bengali community, actor Jonny Khan’s debut play turns that chapter of history into a fictional two-hander, which unfolds on a single evening in 1994.

Muhammad (Bhasker Patel) is a Bengali Londoner who spends his nights coordinating the understaffed rescue service. He and his mature-beyond-her-years teenage niece Alima (Nusrath Tapadar) have barricaded themselves into his dingy office where the phone won’t stop ringing. The murder of a white teenager has prompted a slew of verbal and physical attacks. Frightened callers plead for assistance on Muhammad’s helpline, knowing the police have turned a blind eye.

Continue reading...
Camdenwalla (PERSON) London (LOCATION) Camden (LOCATION) Jonny Khan’s (PERSON) the Camden Monitoring Project (ORG) South Asian (ORG) Bengali (ORG) Jonny Khan (PERSON) Bhasker Patel (PERSON) Alima (PERSON) Nusrath Tapadar (PERSON) Muhammad (PERSON)
Originally published by The Guardian UK Read original →