Live Roundups Editor's Desk Insights Executive Ops Weather About 🔍
Home › Entertainment › You’re only supposed to blow the bloody hooves off: AI...
Entertainment

You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook

The Guardian Culture Tuesday 23 June 2026, 13:02 UTC By Catherine Shoard 1 min read
Key Points

AI company ElevenLabs unveils its officially licensed replica of the iconic actor’s voice in a retelling of Homer’s epic poem, while director who previously recorded the star recalls real-life experienceNext month, Christopher Nolan’s blockbuster version of The Odyssey is set to storm cinemas around the globe. Auguries suggest the almost three-hour drama will repeat the success of Nolan’s previous film both at the box office (Oppenheimer took nearly a billion dollars) and the Academy Awards...

AI company ElevenLabs unveils its officially licensed replica of the iconic actor’s voice in a retelling of Homer’s epic poem, while director who previously recorded the star recalls real-life experience

Next month, Christopher Nolan’s blockbuster version of The Odyssey is set to storm cinemas around the globe. Auguries suggest the almost three-hour drama will repeat the success of Nolan’s previous film both at the box office (Oppenheimer took nearly a billion dollars) and the Academy Awards (it won seven Oscars).

But before that, a new audiobook version of Homer’s tale has been released starring one of Nolan’s most frequent collaborators: Michael Caine, with whom he has worked on eight films, including the Dark Knight trilogy.

Continue reading...
Michael Caine (PERSON) Odyssey audiobook AI company ElevenLabs (ORG) Homer (PERSON) Christopher Nolan’s (PERSON) Auguries (ORG) Nolan (PERSON) Oppenheimer (ORG) the Academy Awards (ORG)
Originally published by The Guardian Culture Read original →

Related Stories

‘There’s a way to fly mindfully. Like, I don’t have my own plane any more’: can DJ megastar Alok make dance music more sustainable?

The Brazilian musician, who collaborates with Indigenous artists and puts millions into philanthropy, explains his mission – and defends his jetsettingWhen Alok, the most successful Brazilian DJ of his generation, was brainstorming the concept for his new live show, he considered calling it Rave New World. “But when I asked a gen Z kid, the daughter of my creative director, she made me realise how pretentious my idea was,” he says. “The grownups trying to find an easy way out for all of our...

The Guardian UK 24m ago

‘A new world has been opened up’: how a London street got filled with art – and brought the neighbours together

From a mural in a baby’s bedroom to a sound sculpture designed to be played out of a convertible, top contemporary artists rose to the challenge of making work for one lucky communityIn 1986, an exhibition called Chambres d’Amis took contemporary art beyond the confines of the museum setting and into the homes of 58 residents in Ghent. Forty years on, a similar experiment is taking place, but on a small street in Peckham, south-east London. Rooms of Neighbours is the brainchild of curator...

The Guardian Culture 1h ago

Sony releases trailer for Taika Waititi's Klara and the Sun

One of Taika Waititi's greatest strengths as a director is his unique voice; he's able to bring a light touch to tragedy (Jojo Rabbit) and a gentle sadness to offbeat comedy (Our Flag Means Death). That makes him an excellent choice to direct Klara and the Sun, based on the novel by Kazuo Ishiguro. Sony Pictures just released the first trailer, and it's giving strong Hunt for the Wilderpeople vibes—a good thing, from my perspective, since that's my favorite Waititi film.

Ars Technica 1h ago

‘I’d pause then carry on’: Peter Marinker, star of Krapp’s Last Tape, on performing with Alzheimer’s

The 84-year-old actor has spent decades bringing Samuel Beckett’s plays to life. Does his recent diagnosis give him new insights into playing ‘sad clown’ Krapp in a drama about age and the battlefield of memory?What a lot of Krapp. Pardon my French but Samuel Beckett’s haunting 1958 masterpiece about regret and isolation is having a moment.

The Guardian UK 1h ago