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Sting review – historical crimes against women spill back into the present

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Young Vic theatre, London Sophie Swithinbank’s urgent drama shimmers with spark and danger as an archive researcher finds herself trapped in modern-day misogynyOn the hottest day of the year, a conflagration. The Young Vic’s studio space fills with smoke as records of violence against women across the centuries are consumed by flames. Even before the fire, Sophie Swithinbank’s urgent drama shimmers with spark and danger.

Young Vic theatre, London
Sophie Swithinbank’s urgent drama shimmers with spark and danger as an archive researcher finds herself trapped in modern-day misogyny

On the hottest day of the year, a conflagration. The Young Vic’s studio space fills with smoke as records of violence against women across the centuries are consumed by flames.

Even before the fire, Sophie Swithinbank’s urgent drama shimmers with spark and danger. Ash (an outstanding Adelle Leonce) barrels into her new job at an archive collecting historic material about women failed by justice. Ash is lairy, smart and cheeky – she bobs and bops around the files, disconcerting her boss Lily (Phoebe Ladenburg, in paisley skirt and pom-pom slippers). But the pair grow closer, through awkward silences and blurted confidences.

At the Young Vic, London, until 18 July

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Young Vic (PERSON) London (LOCATION) The Young Vic’s (ORG) Sophie Swithinbank’s (PERSON) Adelle Leonce (PERSON) Lily (PERSON) Phoebe Ladenburg (PERSON) the Young Vic (LOCATION)
Originally published by The Guardian Culture Read original →