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The sound of live music: get outside London for some great gigs | Letters

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Readers respond to an article that sounded a bum note on the experience of going to see bandsWhat an ungenerous assessment of live music by Sasha Mistlin (The hill I will die on: Going to a gig is an endurance test, 20 June). As the relatively new owner of an independent live music venue, I can tell you that the joyous experience of coming together for a gig is alive and kicking on a weekly basis. Yes, the economic environment for hospitality in general, and grassroots music in particular,...

Readers respond to an article that sounded a bum note on the experience of going to see bands

What an ungenerous assessment of live music by Sasha Mistlin (The hill I will die on: Going to a gig is an endurance test, 20 June). As the relatively new owner of an independent live music venue, I can tell you that the joyous experience of coming together for a gig is alive and kicking on a weekly basis. Yes, the economic environment for hospitality in general, and grassroots music in particular, makes it really tough – but that just strengthens our resolve to put on great shows.

Perhaps Mistlin has just not experienced many gigs outside central London and the big festivals. I used to shuttle regularly between London, Hull and Newcastle, often seeing the same band two or three times in a week. Spoiled London audiences are far more cynical and unresponsive than those of us off the beaten track. I watched the incredibly talented Anton Newcombe play a 30-minute encore to a rapturous audience in Newcastle on a Tuesday and then return for one song to a muted crowd in London the next day. Same quality of gig, different quality of audience. You get out of it what you put in.

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London (LOCATION) Sasha Mistlin (PERSON) Mistlin (PERSON) Hull (PERSON) Newcastle (LOCATION) Anton Newcombe (PERSON)
Originally published by The Guardian UK Read original →