Watford Palace theatre
There’s plenty of devilment as the Pennsylvanian flies the flag for the magnificence of women and riffs on pregnancy
The Best Job in the World, Michelle Wolf’s touring show is called. Whether that refers to motherhood (chief among Wolf’s current occupations) or standup (her profession) is left to us to decide. That parenting might be described in those terms prompts a very sardonic response from the Pennsylvanian, whose ear is keenly attuned to society’s dubious regard for mothering, and breastfeeding, and a host of other things women get up to without much fanfare. Wolf is here to redress that balance, in a show that flies the flag, tongue not always in cheek, for the magnificence of women in a society not built to accommodate them.
Exhibit A, as far as the 41-year-old is concerned, is the menstrual cycle – not just a woman’s period, mind you, but the whole (unheralded, poorly understood) month-long shebang. Exhibit B? Pregnancy, which should be discussed less in terms of “your baby is now the size of a grapefruit” and more: today, you’re manufacturing a spine! There’s plenty more where this came from, as our host unfurls the miracle of breastfeeding and (a mother to toddlers drawing her inspiration from near at hand) proposes The Very Hungry Caterpillar as a menopausal parable.
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