Sueye Park: Goldmark and Sibelius album review – Korean violinist’s silvery tone is ideal for Goldmark rarity

Park/Rundfunk-Sinfonieorchester Berlin/Egel
(BIS)
The young violinist pairs contrasting works by Goldmark and Sibelius in engaging and fluid performances

A relative rarity in the concert hall, Karl Goldmark’s 1877 Violin Concerto has nevertheless fared reasonably well on disc. South Korean violinist Sueye Park pairs it here not with another 19th-century staple but with miniatures by Sibelius: the bucolic Suite from 1929, the Two Serious Melodies, written at the outbreak of the first world war, and two of his six Humoresques.

The composers crossed paths when the Finn studied briefly under Goldmark in 1890s Vienna, but despite the polite whiff of folk music that hangs about the Hungarian’s concerto, it has little in common with Sibelius’s unvarnished Nordic nationalism. It makes the album something of a game of two halves, though there’s nothing inherently wrong with that.