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Robota review – machines on the march in next-gen version of sci-fi classic

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Schwarzman Centre, OxfordHeadlong’s take on Karel Čapek’s 1920 tale of romance and robots is rife with timely debates about tech’s threat but at times the philosophical discussions drag onIf our world is currently thinking through the brave new future of generative AI and super intelligence, Karel Čapek’s 1920 play RUR: Rossum’s Universal Robots proves the notion of robot consciousness and rebellion is not a new anxiety. So does Mary Shelley’s Frankenstein, which Čapek’s drama resembles in...

Schwarzman Centre, Oxford
Headlong’s take on Karel Čapek’s 1920 tale of romance and robots is rife with timely debates about tech’s threat but at times the philosophical discussions drag on

If our world is currently thinking through the brave new future of generative AI and super intelligence, Karel Čapek’s 1920 play RUR: Rossum’s Universal Robots proves the notion of robot consciousness and rebellion is not a new anxiety. So does Mary Shelley’s Frankenstein, which Čapek’s drama resembles in its philosophical debates and moral warnings, despite its futurism.

Ella Road adapts Čapek’s play for our times in this Headlong and Schwarzman Centre co-production, its science apparently informed by research from Oxford University academics, which gives it a cutting-edge, real-world underpinning.

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Robota review (ORG) sci-fi (ORG) Schwarzman Centre (ORG) OxfordHeadlong (ORG) Karel Čapek (PERSON) AI (ORG) RUR (PERSON) Rossum (PERSON) Universal Robots (ORG) Mary Shelley’s Frankenstein (PERSON) Čapek (PERSON) Ella Road (PERSON) Oxford University (ORG)
Originally published by The Guardian UK Read original →