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‘We are preserving a tradition’: how Ghana’s sensationalist film posters became collectible art

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Hand-painted works are often wildly unfaithful to the movies they portray – reinterpretations that sometimes resulted in threats, insults and even physical attacks from viewers who felt dupedSitting on his porch in Teshie near Accra, Heavy J dipped a brush into red oil paint and dabbed it carefully on to his canvas – a flour sack – adding blood to a knife being wielded by a man. Higher on the canvas, he had started on an outline of a skull. Heavy J was creating a poster, but not as you might...

Hand-painted works are often wildly unfaithful to the movies they portray – reinterpretations that sometimes resulted in threats, insults and even physical attacks from viewers who felt duped

Sitting on his porch in Teshie near Accra, Heavy J dipped a brush into red oil paint and dabbed it carefully on to his canvas – a flour sack – adding blood to a knife being wielded by a man. Higher on the canvas, he had started on an outline of a skull.

Heavy J was creating a poster, but not as you might have expected for a horror film. Instead, it was for the animated fairytale The Little Mermaid. The man with the knife wasn’t a killer but the film’s kind-hearted prince, Eric. The skull was also unrelated to the story. “We add more to make people interested,” said Heavy J, whose real name is Jeaurs Affutu.

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Ghana (LOCATION) Teshie (LOCATION) Accra (LOCATION) Eric (PERSON) Heavy J (PERSON) Jeaurs Affutu (PERSON)
Originally published by The Guardian UK Read original →