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For Dolores review – dependency and desire in portrait of obsessive friendship

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Mick Lally theatre, GalwayEva O’Connor’s intense new play explores the lives of spiky Glaswegian Mo and naive Dubliner Réaltín through competing monologues, blunt humour and dance movesStaying together for the sake of a child takes on additional weight in Eva O’Connor’s intense new play for Fishamble Theatre Company. In their mid-20s, Mo (Catriona Faint) and Réaltín (Lara McDonnell) initially seem like bickering young parents; “chosen family”, attending a therapy session, with the audience...

Mick Lally theatre, Galway
Eva O’Connor’s intense new play explores the lives of spiky Glaswegian Mo and naive Dubliner Réaltín through competing monologues, blunt humour and dance moves

Staying together for the sake of a child takes on additional weight in Eva O’Connor’s intense new play for Fishamble Theatre Company. In their mid-20s, Mo (Catriona Faint) and Réaltín (Lara McDonnell) initially seem like bickering young parents; “chosen family”, attending a therapy session, with the audience in the role of therapist. As the pair’s story spools back to their comical first meeting as new university students in Edinburgh, a portrait of an obsessive friendship emerges.

Playwright and actor O’Connor has written previously about compulsion, and here she vividly conveys the confusing mix of love, dependency, admiration and desire that can be poured into young women’s friendships: “the wild magnet pull of us,” Réaltín calls it. Initially it was the contrasts between the spiky, politicised Glaswegian, Mo, and the naive, middle-class Dubliner, Réaltín, that cemented their bond – captured in Faint and McDonnell’s committed, passionate performances.

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Dolores review (ORG) Mick Lally (PERSON) GalwayEva (ORG) Glaswegian (ORG) Mo (LOCATION) Dubliner Réaltín (ORG) Eva O’Connor’s (LOCATION) Fishamble Theatre Company (ORG) Catriona Faint (PERSON) Réaltín (PERSON) Lara McDonnell (PERSON) Edinburgh (LOCATION) Dubliner (ORG) Faint (ORG) McDonnell (ORG)
Originally published by The Guardian UK Read original →