London Coliseum
A quartet of conjurors, calling themselves the Horsemen, perform fine feats of escapology and mentalism that are undermined by smoke, lasers and pomposity
Is there an opposite of close-up magic? If there is, it would look a bit like the magic in Now You See Me, which must be visible (and audible) from space. This new spectacle, heading later this year to its spiritual home of Las Vegas, spins off from the movie franchise of the same name and features a quartet of conjurors (identifying, rather awkwardly, as “the Horsemen”) performing feats of escapology, mentalism and even time travel amid much bombastic son et lumière and self-promotion.
It could scarcely be more pompous – but happily, there are plenty of entertaining tricks to keep pomp-phobes like myself onside. The Italian Andrew Basso has arguably the stoppiest showstoppers, including his recreation of Houdini’s water torture stunt, and another where he extricates himself from padlocked chains while harbouring something very undesirable in his mouth. His French counterpart Enzo Weyne delivers an arresting number with a paper bag and a lightbulb, and there’s a fine audience participation set piece inviting us all to shred, shuffle then – as if by magic! – reassemble the playing cards we were given on the way in to the theatre.
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