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Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai

Key Points

A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelingsIn a tiny crumbling Mumbai apartment two women move around each other, squeezing into the kitchen to cook, or past one another in the hallway. The cramped space hems them in – just as society limits their choices. That is surely the point first-time director Anuparna Roy is making in a gentle drama set mostly in the apartment about the closeness that develops between the two women.

A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelings

In a tiny crumbling Mumbai apartment two women move around each other, squeezing into the kitchen to cook, or past one another in the hallway. The cramped space hems them in – just as society limits their choices. That is surely the point first-time director Anuparna Roy is making in a gentle drama set mostly in the apartment about the closeness that develops between the two women.

One of the roommates is Thooya (Naaz Shaikh), an actor and part-time sex worker. The apartment belongs to a client, Nitin (Bushan Shimpi), an arrangement that outrages the neighbours. Thooya doesn’t care what they think, and has rented the second bedroom to a stranger, Shweta (Sumi Baghel), who works from home for an IT call centre. There is an awkwardness between them at first that develops into … what exactly? Romance? It looks that way, although the film’s final scene is ambiguous.

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Mumbai (LOCATION) Anuparna Roy (PERSON) Thooya (PERSON) Naaz Shaikh (PERSON) Nitin (PERSON) Bushan Shimpi (ORG) Shweta (PERSON) Sumi Baghel (PERSON)
Originally published by The Guardian UK Read original →