Home Science We’re going to party like it’s 1629… the masques, the...
Science

We’re going to party like it’s 1629… the masques, the music and the mayhem of Banqueting House

Key Points

What music soundtracked 17th-century England? Ahead of a DJ set in Banqueting House, Georgia Mann looks at the wild, the experimental, the melancholic – and why a theorbo caused a security alertKing Charles is on the throne, there’s anxiety around the power-brokers of Whitehall, and an age of deep political division and conspiracy obsession is under way. That’s right, I’m referring to the middle years of the 17th century, a period I’m immersed in as I’m putting together a Jacobean-Carolean...

What music soundtracked 17th-century England? Ahead of a DJ set in Banqueting House, Georgia Mann looks at the wild, the experimental, the melancholic – and why a theorbo caused a security alert

King Charles is on the throne, there’s anxiety around the power-brokers of Whitehall, and an age of deep political division and conspiracy obsession is under way.

That’s right, I’m referring to the middle years of the 17th century, a period I’m immersed in as I’m putting together a Jacobean-Carolean Classical DJ set, where the beats are to be dropped beneath one of the UK’s most awesome works of art: the Rubens painted ceiling at the Banqueting House in Whitehall.

Continue reading...
Banqueting House (ORG) England (PERSON) Georgia (LOCATION) Mann (PERSON) Charles (PERSON) Whitehall (LOCATION) Jacobean-Carolean Classical DJ (ORG) UK (LOCATION) Rubens (ORG) the Banqueting House (LOCATION)
Originally published by The Guardian Culture Read original →