A Rimbaud review – legendary poet’s unlikely transformation into entrepreneur is as odd as ever

Australian actor Blake Draper delivers a committed one-man performance tracking the writer as he morphs from enfant terrible to merchant

US experimentalist Patrick Wang here curates an intriguing if very austere experience, a theatrical-style one-man show about the eventful life of the poet Arthur Rimbaud, presented as a microbudget epic of nearly three hours, an episodic piece taking place entirely within a “black box” stage space, ventilated occasionally by back-projection videos of the great outdoors.

Australian actor Blake Draper plays Rimbaud, with an English accent tinged occasionally with scouse, speaking to a range of invisible characters including his mother, his sister and his lover and artistic comrade Paul Verlaine, whose voices are represented by musical instruments. But fundamentally this is an extended, bravura monologue.