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Fightland review – 50 Cent’s farcical boxing show is featherweight at best

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This boxing drama wants its sex, drugs, bling and violence – but isn’t willing or naughty enough to truly go for it. Instead, it ends up as just a long, bruising slogFightland is what you might, for a joke, have called a drama that’s like MobLand but with boxing. That they have gone with that as the title of the new show from G-Unit Film & Television, the production company founded by the rapper Curtis “50 Cent” Jackson, is an immediate warning that this is not a series that bursts with...

This boxing drama wants its sex, drugs, bling and violence – but isn’t willing or naughty enough to truly go for it. Instead, it ends up as just a long, bruising slog

Fightland is what you might, for a joke, have called a drama that’s like MobLand but with boxing. That they have gone with that as the title of the new show from G-Unit Film & Television, the production company founded by the rapper Curtis “50 Cent” Jackson, is an immediate warning that this is not a series that bursts with originality, passion or technical finesse. At best, Fightland asks whether what it’s got will just about do, and hopes you’ll distractedly say yes.

Howard Charles is Maduka “Duke” Kilroy, a British boxer who, when we first meet him, is in Las Vegas, winning the world heavyweight championship. Everything’s going for him: he’s the champ and Joy (Deborah Ayorinde), the woman he enjoys a post-bout warmdown with on the silk sheets of a penthouse suite, seems receptive to his plan to take their relationship further. It’s a risky goal given that Joy’s husband is Kingsley Marshall (Nicholas Pinnock), Duke’s manager, who is also London’s top drug dealer; we’ve seen him brutally break the leg of a journalist who asks him about the secret drug-based wing of his empire.

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MobLand (PERSON) G-Unit Film &amp (ORG) Television (ORG) Curtis (PERSON) Jackson (PERSON) Fightland (PERSON) Howard Charles (PERSON) Maduka (PERSON) Kilroy (PERSON) British (ORG) Las Vegas (LOCATION) Joy (PERSON) Deborah Ayorinde (PERSON) Kingsley Marshall (PERSON) Nicholas Pinnock (PERSON)
Originally published by The Guardian UK Read original →