A tireless account shines a light on the Booker-winning author’s mysterious early years and the undeserved criticism that accompanied with her success
‘Dr Weiss, at forty, knew that her life had been ruined by literature.” The first fictional sentence Anita Brookner ever published, aged 53, in A Start in Life, certainly set a tone. If people have heard of Brookner today, Hermione Lee says, they imagine a lonely, cardiganed woman yearning for an absent lover. “This,” says Lee (an emeritus English professor at the University of Oxford), “won’t do.”
The cardiganed image confuses the author with her protagonists. Of 24 novels written across 30 years, only the first four – A Start in Life, Providence, Look at Me and Hotel du Lac – are about a single woman pining for love. There is certainly a “Brooknerian” style, characterised by elegance, restraint and melancholia, but her fiction engaged with our emotional lives broadly, examining family, exile, home, trauma, ageing and much more.
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