Woman Unknown review – postwar paranoia with some deliciously dastardly Du Maurier touches

Venice film festival
A nanny becomes the new lady of a prosperous Copenhagen house as accused Nazi sympathisers are violently shamed in May el-Toukhy’s shrewd, painful portrait of survival

Here is an elegantly appointed drama-thriller from May el-Toukhy, about sexual shame and political paranoia in postwar Denmark, with something of Alfred Hitchcock’s Rebecca, which it consciously recalls. As director and co-writer, El-Toukhy has created a shrewd and painful movie about the terrible things you need to do to survive, and what it takes to forget those things afterwards.

The scene is a prosperous, upper-middle-class apartment in Copenhagen just after the second world war, when the Danish resistance was permitted the powers of a secret-police militia to detain and interrogate those suspected of having given assistance to the Nazis. Christian (Carsten Bjørnlund) is a ageing factory owner and widower who has evidently fallen in love with his infant daughter’s nanny: this is Marie (fiercely and convincingly played by Mathilde Arcel). Or at any rate, he sees that the child needs a new mother, finds Marie attractive and appreciates her submissive attitude. They are now engaged.