He hasn’t seen the score and can’t actually play his instrument. But with the help of a virtual headset, our writer joins the revered orchestra for the rollicking finale of Rossini’s William Tell Overture
I’m about to perform with the Philharmonia Orchestra and I’ve not rehearsed my part. In fact, I’ve not even seen the score. Or played my instrument before. Nervously taking my place among the virtuosos, I look around: the brass, string and woodwind sections are all warmed up and ready to be led by the energetic conductor, Santtu-Matias Rouvali. Then I glance up at the audience: the Royal Festival Hall is packed to the rafters. Gulp!
“Are you OK there?” asks Marta Génova, the Philharmonia’s head of digital product and experience, “or do I need to tighten your headset?” This, you see, is Virtual Orchestra, a VR experience designed by the Philharmonia that lets you play percussion during the rollicking finale of Rossini’s William Tell Overture. You’re offered the choice of triangle, cymbal and timpani (the last is “definitely the most fun”, Génova assures me) and after a quick run-through of the sounds you can get from your instrument, courtesy of Philharmonia percussionist Tom Edwards, you’re thrown into a rehearsal and then the actual performance. I’ve barely had time to say “How do I hold these sticks again?” before the strings start swelling, Rouvali waves his baton and a musical score starts hurtling across the bottom of my vision. Oh God, I think, am I about to screw this up?
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