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Lise Davidsen: Verdi album review

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(Decca)Focusing on five Verdian heroines (and anti-heroines), the soprano has chosen roles that fit her formidable vocal talents perfectly. Edward Gardner and the London Philharmonic Orchestra provide detailed accompaniment for these striking portraitsAt some point, any star soprano worth her salt will try her hand at a Verdi album. Lise Davidsen avoids the fate of those who attempt to encompass the composer’s entire cast of leading ladies, focusing instead on five who fit her vocal talents...

(Decca)
Focusing on five Verdian heroines (and anti-heroines), the soprano has chosen roles that fit her formidable vocal talents perfectly. Edward Gardner and the London Philharmonic Orchestra provide detailed accompaniment for these striking portraits

At some point, any star soprano worth her salt will try her hand at a Verdi album. Lise Davidsen avoids the fate of those who attempt to encompass the composer’s entire cast of leading ladies, focusing instead on five who fit her vocal talents like a glove.

She opens with a commanding Lady Macbeth, her coloratura clean as a whistle and with gleaming, seemingly effortless top notes. Edward Gardner’s buoyant yet spacious way with the orchestral accompaniment affords Davidsen sufficient elbow room to create a more thoughtful schemer than is sometimes the case, culminating in a seamless sleepwalking scene where her breath control alone deserves a Grammy.

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Lise Davidsen (PERSON) Verdian (ORG) Edward Gardner (PERSON) the London Philharmonic Orchestra (ORG) Verdi (ORG) Lady Macbeth (PERSON) Edward Gardner’s (PERSON) Davidsen (PERSON)
Originally published by The Guardian Culture Read original →