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Women behind the lens: ‘I felt suspended between hope and giving up’

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The Ethiopian photographer Sosina Mengistu’s self-portraits draw on personal experience to reflect young people’s anxiety and frustrationThis self-portrait is part of my project So I See Me, which I began in 2020 during the Covid-19 pandemic and continue to this day. The title reflects the central idea: using the camera to look at myself.

The Ethiopian photographer Sosina Mengistu’s self-portraits draw on personal experience to reflect young people’s anxiety and frustration

This self-portrait is part of my project So I See Me, which I began in 2020 during the Covid-19 pandemic and continue to this day. The title reflects the central idea: using the camera to look at myself. But it also carries a subtle echo of my name, Sosina.

When the pandemic started, I was in my final year of an engineering degree at the University of Gondar in Ethiopia. I was excited to graduate and begin the next chapter of my life, then everything suddenly came to a halt. Thinking the travel restrictions would only last for a short time, I decided to stay with my uncle in Bahir Dar in the north rather than travel back to my home town, Asosa, more than 450 miles to the west. I ended up stuck there for eight months.

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Ethiopian (ORG) Sosina Mengistu (PERSON) Sosina (ORG) the University of Gondar (ORG) Ethiopia (LOCATION) Bahir Dar (PERSON) Asosa (LOCATION)
Originally published by The Guardian UK Read original →