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King Lear review – David Threlfall makes a moving Lear, but why is he playing the Fool too?

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Royal Exchange theatre, ManchesterMatthew Dunster’s disruptive reinvention of the tragedy merges two roles for its star and at times enters Game of Thrones territoryThe TV series Succession was partly modelled on King Lear, the family name Roy derived from the monarchic French roi. Returning the compliment, Matthew Dunster’s production centralises dynastic dynamics among the young as they plot around a splintering figurehead. The reading is supported by a modern setting – jeans, car keys and...

Royal Exchange theatre, Manchester
Matthew Dunster’s disruptive reinvention of the tragedy merges two roles for its star and at times enters Game of Thrones territory

The TV series Succession was partly modelled on King Lear, the family name Roy derived from the monarchic French roi. Returning the compliment, Matthew Dunster’s production centralises dynastic dynamics among the young as they plot around a splintering figurehead.

The reading is supported by a modern setting – jeans, car keys and handguns for hessian, horses and swords – on an Anna Fleischle set of spangly strings variously dividing the stage into a nightclub, England and France, dungeons and, in the storm scene, serving as shower curtains to keep theatregoers dry.

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Lear (PERSON) David Threlfall (PERSON) Royal Exchange (ORG) ManchesterMatthew Dunster’s (PERSON) King Lear (PERSON) Roy (PERSON) French (ORG) Matthew Dunster’s (PERSON) Anna Fleischle (PERSON) England (LOCATION) France (LOCATION)
Originally published by The Guardian UK Read original →