Beth Orton review – battered optimism from an artist making the best music of her career

Concorde 2, Brighton
Drawing almost entirely from her last two albums, and backed by a band rooted in jazz and experimentation, Orton performed her emotionally fraught songs to a rapturous crowd

The audience at Brighton’s Concorde 2 largely look old enough to have first encountered Beth Orton’s music three decades ago, as it wafted around a smoke-filled living room in the post-club small hours. That was the primary means of transmission for her 1996 debut album Trailer Park, which smartly appended classic singer-songwriter tropes to misty electronics. But if they’re expecting an evening of nostalgia, they’re in for a shock. The title track from 1999’s Mercury-nominated Central Reservation aside, her set swerves the music that made her famous, drawing almost entirely from her two most recent albums: this year’s The Ground Above and 2022’s Weather Alive.

This would count as a bold move from someone 30-odd years into their career, were it not for the fact that Orton’s recent albums are so good – the latest fruit of an artistic reboot that began in the mid-2010s, when she shifted a sound that had grown increasingly acoustic and traditional back towards something more experimental and dancefloor-adjacent.