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Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work

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Lahav Shani's recording of Dvořák's Symphony No 9 with the Rotterdam Philharmonic offers a fresh interpretation of the familiar work. The performance is characterised by an elegant restlessness, with the first movement unfolding organically without excessive shaping. This recording marks a period as Shani prepares to take up the chief conductor role at the Munich Philharmonic.

Rotterdam Philharmonic/Shani
Warner Classics
The conductor, soon to finish an eight-year tenure at the helm of the Dutch orchestra, leaves the orchestra in good shape

Lahav Shani’s eight-year tenure at the helm of the Rotterdam Philharmonic is coming to a close – he becomes chief conductor at the Munich Philharmonic in September – and he is leaving this fine orchestra in good shape. Their recording of Dvořák’s Symphony No 9 brings a natural freshness to this familiar work, offering no big surprises or grand gestures but holding the attention fast with an elegant restlessness.

The unfolding of the first movement is unhurried but unstoppable: Shani doesn’t overshape the phrases, but gives them the space and momentum to flow organically from one to the next. The big woodwind solos – the velvety flute in the first movement, the cor anglais in the second – make their mark without signposting.

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Originally published by The Guardian UK Read original →