Bridget Riley
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Julio Le Parc review – as if Bridget Riley had opened a riotous funfair
Tate Modern, LondonThe late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit – you can even spin the paintings! In a great scene in Jean-Luc Godard’s 1964 film Bande à Part, the young protagonists run through the Louvre, leaving puzzled art lovers and angry guards in their wake. It seems impromptu and genuinely disruptive yet Godard’s camera finds time to pause in front of Jacques-Louis David’s Oath of the Horatii, an icon of the French...
Julio Le Parc review – as if Bridget Riley had opened a riotous funfair
Tate Modern, LondonThe late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit – you can even spin the paintings! In a great scene in Jean-Luc Godard’s 1964 film Bande à Part, the young protagonists run through the Louvre, leaving puzzled art lovers and angry guards in their wake. It seems impromptu and genuinely disruptive yet Godard’s camera finds time to pause in front of Jacques-Louis David’s Oath of the Horatii, an icon of the French...