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The Marriage of Figaro review – Danielle de Niese’s slick direction weds finery with fun
Wild Arts Summer Opera festival, Layer Marney Tower, Essex A touring show was quite a challenge for the opera star’s first directorial gig, but dynamic singing, charismatic orchestral play and clever stage jokes pull it off brilliantly‘Four boxes, six screens, four chairs and a tree”: the sum total of scenery for Wild Arts’ new English-language production of Mozart’s Marriage of Figaro is modest by operatic standards. This staging needs to travel light, since it’s destined for performances...
The Marriage of Figaro review – Danielle de Niese’s slick direction weds finery with fun
Wild Arts Summer Opera festival, Layer Marney Tower, Essex A touring show was quite a challenge for the opera star’s first directorial gig, but dynamic singing, charismatic orchestral play and clever stage jokes pull it off brilliantly‘Four boxes, six screens, four chairs and a tree”: the sum total of scenery for Wild Arts’ new English-language production of Mozart’s Marriage of Figaro is modest by operatic standards. This staging needs to travel light, since it’s destined for performances...
‘What’s the worst that can happen?’ How soprano Danielle de Niese turned to directing for The Marriage of Figaro
Mozart’s Marriage of Figaro is in the soprano’s DNA, but she’s never thought about directing it. Creating her own production has been daunting and fascinating – and her son’s building blocks even helpedI am not one of those performers who has spent their life on a theatre stage or film set thinking, “I wish I could direct this”. However, earlier this year, I found myself with an unexpected six-week gap.
‘What’s the worst that can happen?’ How soprano Danielle de Niese turned to directing for The Marriage of Figaro
Mozart’s Marriage of Figaro is in the soprano’s DNA, but she’s never thought about directing it. Creating her own production has been daunting and fascinating – and her son’s building blocks even helpedI am not one of those performers who has spent their life on a theatre stage or film set thinking, “I wish I could direct this”. However, earlier this year, I found myself with an unexpected six-week gap.