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Ableton is letting musicians build browser-style extensions for Live
Ableton Ableton already has Max for Live, which allows users to build MIDI effects, synths, and samplers for its digital audio workstation (DAW). But now with its Extensions SDK, features can be added to Ableton Live with common JavaScript. Where Max is largely limited to MIDI and audio processing, Extensions can touch almost any part of the DAW simply by right-clicking within your Live set.
Magenta RealTime 2: Open and Local Live Music Models
We’re excited to share Magenta RealTime 2 (MRT2), a state-of-the-art open model and efficient real-time inference engine that enables you to build and play AI musical instruments on your laptop! To get started, download the apps on your MacBook (requires Apple Silicon). Unlike other large generative music models that work offline to turn a prompt into a track, MRT2 is a live, interactive model that you can control with MIDI and audio, in addition to text.
Ableton Extensions SDK
Ableton Extensions, introduced in Live 12.4.5, provide a way for users to develop and use their own tools within Ableton Live using the Ableton Extensions SDK. Extensions can interact with tracks, clips, MIDI, devices, tempo, and other parts of a Live Set to automate tasks, transform musical data, and customize Live’s capabilities.
BMdataset: A Musicologically Curated LilyPond Dataset
arXiv:2604.10628v2 Announce Type: replace Abstract: Symbolic music research has relied almost exclusively on MIDI-based datasets; text-based engraving formats such as LilyPond remain unexplored for music understanding. We present BMdataset, a musicologically curated dataset of 393 LilyPond scores (2,646 movements) transcribed by experts directly from original Baroque manuscripts, with metadata covering composer, musical form, instrumentation, and sectional attributes. Building on this...
Brume is a 24-voice multi-timbral desktop synth for the CM5
FM Six operators across twelve algorithm topologies, per-op ratio and level, global feedback, a per-voice FM-index envelope, and a voice-tail state-variable filter with its own envelope — DX-style FM with subtractive shaping on the way out. A desktop multi-timbral music machine with four synthesis engines, a 10″ touch surface, and one cable to your DAW. Brume runs four synthesis engines with a shared voice tail (state-variable filter, amp envelope, modulation router), so patches stay...
Multilingual Idioms in Sentences and Conversations Across High-, Medium-, and Low-Resource Languages
arXiv:2606.02147v1 Announce Type: new Abstract: Idiomatic expressions pose a major challenge for multilingual NLP because their meanings shift between figurative and literal usage, often requiring context for accurate interpretation. Prior work has focused on high-resource languages typically evaluates isolated idiom-meaning questions, overlooking realistic discourse.
UniVoice: A Unified Model for Speech and Singing Voice Generation
arXiv:2606.05852v1 Announce Type: new Abstract: Text-to-speech (TTS) and singing voice synthesis (SVS) both aim to generate human vocal audio from symbolic inputs, but they impose different requirements on the generation process. Speech generation relies on flexible, language-driven prosody, whereas singing generation requires explicit melody control and accurate rhythmic alignment. This mismatch makes it challenging to train a single model that can generate both natural speech and...