Virginia Woolf’s
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Virginia Woolf’s Night and Day review – dreamy adaptation reaches for the stars
SXSW LondonWolf’s novel about a headstrong young Edwardian woman takes flight under Tina Gharavi’s direction, with Timothy Spall and Jennifer Saunders among the ensemble castHere is an adaptation, written by Justine Waddell, of Virginia Woolf’s peculiar and tonally elusive work that is all about the quarterlife crisis of a headstrong, well-born young woman in Edwardian London faced with the necessity of getting married. What emerges is a wayward, unworldly fantasia, a four-leaf clover of a...
Virginia Woolf’s Night and Day review – dreamy adaptation reaches for the stars
SXSW LondonWolf’s novel about a headstrong young Edwardian woman takes flight under Tina Gharavi’s direction, with Timothy Spall and Jennifer Saunders among the ensemble castHere is an adaptation, written by Justine Waddell, of Virginia Woolf’s peculiar and tonally elusive work that is all about the quarterlife crisis of a headstrong, well-born young woman in Edwardian London faced with the necessity of getting married. What emerges is a wayward, unworldly fantasia, a four-leaf clover of a...
Mrs Dalloway review – Virginia Woolf’s party planner plays all the roles herself
Storyhouse, ChesterKit Green takes on all the characters in an imaginative interpretation of the 1925 day-in-the-life novelAs Clarissa Dalloway wafts about the stage, welcoming her audience indiscriminately before instigating party games, the essence of Virginia Woolf’s scrupulous socialite appears to be missing. But this stage adaptation – co-written by Jen Heyes, who directs, and Kit Green, who performs – is a playful re-examination of the novel, wrapped up as a multimedia-driven solo...
Mrs Dalloway review – Virginia Woolf’s party planner plays all the roles herself
Storyhouse, ChesterKit Green takes on all the characters in an imaginative interpretation of the 1925 day-in-the-life novelAs Clarissa Dalloway wafts about the stage, welcoming her audience indiscriminately before instigating party games, the essence of Virginia Woolf’s scrupulous socialite appears to be missing. But this stage adaptation – co-written by Jen Heyes, who directs, and Kit Green, who performs – is a playful re-examination of the novel, wrapped up as a multimedia-driven solo...
The Death of the Reader
Although I teach and edit fiction, I still didn’t think it would ever happen—that an AI-generated or AI-assisted short story would win a major contest. Then came Jamir Nazir’s “The Serpent in the Grove,” a regional winner of the Commonwealth Short Story Prize, published on Granta magazine’s website. The story exhibits all the common AI-writing “tells” familiar to anyone who has ever scrolled through a restaurant’s Instagram feed.