Standup comedy gives women a space to talk about certain topics that have become more sensitive, while performers remain wary of censorship limits
Packed into the upstairs theatre of a small performing arts space in east Beijing, more than 100 people, mostly women, are giddy with anticipation. “Who did you come to see?” asks the MC, fashionably dressed in a faded denim two-piece suit. The answer is bellowed in unison back to him: “Fang Zhuren!”
Fang Shaoli, AKA Director Fang (Fang Zhuren), has built a cult following in China in the past two years. Decidedly less fashionable than the evening’s host, Fang is dressed in a yellow hoodie and dark blue jeans. Her everywoman attire is part of the appeal. With a stout frame and short, sensible haircut, Fang, who was born in 1975, hails from rural part of east China’s Shandong province. Before discovering the art of standup comedy she worked in factories and on construction sites, but mainly lived as a housewife to a difficult husband. Her jokes riff on the deep sexism that permeates Chinese culture, particularly away from the big urban centres like Beijing and Shanghai.
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